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    Creating Impastos in Your Paintings 

    by
    George O'Hanlon
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    Published on June 18, 2013 11:05 AM  Number of Views: 67 
    1. Categories:
    2. Oil,
    3. Tutorials,
    4. Tips and Hints,
    5. Historical Pigments
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    The simplest way to create an impasto surface is to apply paint in large amounts, usually with either a brush or palette knife. Commercial oil colors have a heavy consistency, so this can be achieved by working directly from the tube applying the colors in thick layers. Opacity and built-up texture are usually interrelated, with much of the thickest impasto consisting of solid and opaque pigments, such as lead white or titanium ...
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    The Impasto Technique of Rembrandt 

    by
    George O'Hanlon
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    Published on June 17, 2013 11:21 PM  Number of Views: 290 
    1. Categories:
    2. Oil,
    3. Tutorials,
    4. Tips and Hints,
    5. Historical Pigments
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    Impasto is paint laid on a canvas or panel in quantities that make it stand out from the surface and is usually thick enough that brush or palette knife strokes are visible. The first known use of the word was in 1784, from Italian impasto, the noun of the verb impastare “to put in paste.” [1]

    The heavy viscosity and slow drying time of oil paint makes it a suitable ...
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    Color Notes: Ultramarine Blue (Green Shade) 

    by
    George O'Hanlon
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    Published on June 9, 2013 09:53 AM  Number of Views: 250 
    1. Categories:
    2. Oil,
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    5. Historical Pigments

    Rublev Colours Ultramarine Blue (Greenish Shade) is an intense deep greenish-shade blue oil paint made from an inorganic pigment (ultramarine) of sodium aluminum silicate composition. It is a transparent, fine grained color ...
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    Ultramarine: From the Most Precious and Rare to the Prosaic 

    by
    George O'Hanlon
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    Published on June 6, 2013 07:46 PM  Number of Views: 513 
    1. Categories:
    2. Oil,
    3. Acrylic,
    4. Casein,
    5. Encaustic,
    6. Fresco,
    7. Tempera,
    8. Watercolor,
    9. Historical Pigments
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    Ultramarine is a blue pigment consisting primarily of a zeolite-based mineral containing small amounts of sulfur. Ultramarine is one of the most complex of the mineral pigments, composed of the blue mineral lazurite, which is the major component of the rare and semi-precious stone lapis lazuli.[1] The mineral occurs in nature as a product of limestone metamorphism and typically is associated with calcite, pyrite, diopside, humite, forsterite, hauyne and muscovite minerals, and is sometimes found in lava as a by-product of volcanic eruptions.[2]
    ...
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    Clove Oil in Oil Paint 

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    George O'Hanlon
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    Published on May 20, 2013 06:41 PM  Number of Views: 339 
    1. Categories:
    2. Oil,
    3. Tips and Hints

    We are often asked about the use of clove oil to retard the drying of oil paint. Like many others, you may have heard that it darkens upon exposure to light. ...
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    Dinatopia Author and Illustrator, James Gurney, and Rublev Colours Watercolors Set 

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    George O'Hanlon
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    Published on April 29, 2013 09:00 PM  Number of Views: 563 
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    We recently met James Gurney and his wife, Jeanette, at the Plein Air Convention in Monterey, California. James is the author and illustrator of the book series Dinatopia ...
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    Palette of Rembrandt van Rijn 

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    George O'Hanlon
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    Published on February 13, 2013 08:00 PM
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    Rembrandt Harmenszoon van Rijn (15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history.

    The range of color Rembrandt employed falls firmly within the mainstream ...
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    Hues or Mixed Colors of Historical Origin 

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    George O'Hanlon
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    Published on February 5, 2013 01:00 PM  Number of Views: 3851 
    1. Categories:
    2. Oil,
    3. Watercolor,
    4. Formulas,
    5. Historical Pigments

    During the Middle Ages and the Renaissance, the paint used by artists was prepared in the studio. The painter purchased pigment from apothecary shops and apprentices, who also prepared panels and grounds for the master painter, then prepared it for use as paint.

    The oil paint used by artists from the 15th to 19th centuries consisted primarily of a single pigment and vegetable drying oil, although gums, proteins and resins were sometimes added for particular passages in ...
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