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    How to Make Oil Paint 

    by
    George O'Hanlon
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    Published on February 28, 2012 04:30 PM  Number of Views: 1343 
    1. Categories:
    2. Oil,
    3. Tutorials,
    4. Formulas,
    5. Tips and Hints
    Article Preview

    Paint basically consists of two components: pigment and vehicle. Pigment particles do not dissolve in the paint vehicle, but are suspended in the liquid. Making paint simply means mixing a solid and liquid component together into a smooth paste.

    Making paint is easier than you may think. With basic supplies, such as pigment, linseed oil, a spatula and a clean, flat surface, you can start making small batches of oil paint.

    If you want to make enough paint that you can store, however, you will need a muller to grind the paint. Why grind pigment into paint? Although a powdered pigment may appear very ...
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    Is There Anything New in Artists' Oil Paints? 

    by
    George O'Hanlon
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    Published on November 10, 2011 12:30 PM  Number of Views: 1477 
    1. Categories:
    2. Oil
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    Since the introduction of the collapsible tube over 170 years ago, manufactured artists’ oil paint has changed the way artists work. Artists no longer must laboriously grind pigment in oil to make paint. With this change also came greater uniformity in oil paint. Let’s face it; the composition of oil color is fairly simple. Generally, only three items are used in a modern oil color formula. They are the pigment, the oil and a stabilizer (typically ...
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    Improving the Color Retention of Oil Paint 

     Number of Views: 1749 
    1. Categories:
    2. Oil,
    3. Formulas,
    4. Tips and Hints
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    There is no paint known that will keep its original color indefinitely. From the moment it is applied, it starts changing ...
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    About Drying Oils for Painting 

    by
    George O'Hanlon
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    Published on April 24, 2012 12:01 PM
    1. Categories:
    2. Oil

    Where do all the different brands of drying oils in artists' supply shops originate? Artists' materials manufacturers do not process their own oil, but rather purchase it in bulk from large industrial sources. For example, there are two major producers of linseed oil in North America and at least two in Europe, but there are many brands of linseed and stand oils offered by artist materials companies. Artist materials companies do not have the resources to process linseed oil, which today is a very specialized and large-scale industry.

    About Linseed Oil
    Linseed oil is obtained by various methods, including pre-expelling, followed by hexane extraction of the resulting press cake. The oil is refined to remove phosphatides and gums, which naturally ...
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    Casein or Milk Paint 

    by
    George O'Hanlon
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    Published on February 29, 2012 12:00 PM
    1. Categories:
    2. Casein,
    3. Formulas,
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    Casein paint or milk paint is unlike any other natural water-based paint as it dries water-proof. However, it must cure for a certain time, usually about a week to a month. Despite this, it dries to the touch ...
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    Is There Anything New in Watercolors? 

    by
    George O'Hanlon
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    Published on October 31, 2011 02:04 PM  Number of Views: 1033 
    1. Categories:
    2. Watercolor
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    The Reeves brothers are credited with the invention of watercolor cakes. Since the introduction of the watercolor cakes over 200 years ago, manufactured watercolor paint has changed the way artists work. Artists no longer must laboriously grind pigment in gum-water to make paint and tirelessly rub hard cakes to get color.


    The Reeves brothers are credited with the invention of watercolor cakes.

    Not only did a series of innovations in the 19th century improve watercolor painting materials, but thanks to modern chemistry, the variety, saturation and permanence of artists’ pigments available is greater than ...
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    Painting Flesh Tones with the Human Palette 

    Published on September 21, 2011 08:46 PM
    1. Categories:
    2. Watercolor,
    3. Color Palettes,
    4. Historical Pigments
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    The revival of traditional art styles and techniques has burgeoned into a full-fledged Second Renaissance. And this re-awakening has sparked a renewed interest in the colors used by the great masters of the past. It was thus inevitable that someone would produce the traditional pigments in watercolors.

    When Rublev ...
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  • Articles in this Section

    Acrylic (5)
    Casein (8)
    Encaustic (2)
    Fresco (8)
    Oil (51)
    Tempera (13)
    Watercolor (12)
  • Upcoming Events

    May 24 2012: The Art of the Portrait Annual Conference
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  • Blogs on Painting

    George O'Hanlon

    Measuring Resins in Varnish and Medium Formulas

    Formulas for varnishes and mediums call for measurements that are often confusing for artists. For example, in his formula for a glazing medium, Ralph Mayer calls for a “5-pound cut” of damar...

    May 15, 2012 09:40 AM
    George O'Hanlon

    Four Lead White Aritsts' Oils to Choose

    Rublev Colours Lead White Artists Oil is an opaque white that is smooth and brushes long. The consistency straight out of the tube is creamy, slightly ropey yet retains its shape as you manipulate it...

    December 12, 2011 06:27 PM
    George O'Hanlon

    Canada Balsam Mediums

    For liquid-type oil painting mediums, we recommend a mixture of bodied linseed oil, solvent and, as an option, a resin or blasam. Here are several formulas incorporating Canada balsam: Canada...

    December 12, 2011 06:12 PM
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    Plein Air Painting in Oils with William Scott Jennings (Sedona, AZ)

    Introduction to Painting: Painting Holiday in Italy (Ascoli Piceno, Italy)

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