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    Lead Oil Grounds for Painting 

    by
    George O'Hanlon
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    Published on October 20, 2011 08:30 AM  Number of Views: 1857 
    1. Categories:
    2. Canvas,
    3. Panels,
    4. Tutorials,
    5. Tips and Hints
    Article Preview

    Since 1973, it has become difficult to buy lead white in linseed oil to prime canvases and panels. As a result, artists who wish to use oil priming for their supports usually must substitute other materials for the lead white in linseed oil.

    Some manufacturers of artists' materials still sell lead white oil paint in cans and large-capacity tubes. It should be noted, however, that most, if not all, of these lead white ...
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    Gesso Grounds from Ancient Recipes 

    Published on September 19, 2011 11:33 AM
    1. Categories:
    2. Panels,
    3. Tutorials,
    4. Formulas,
    5. Tips and Hints

    Learning from artists manuscripts, a contemporary artist adapts a 15th century recipe for preparing grounds for oil painting on wood panels.

    In her book, The Art of Arts, Anita Albus discusses materials and practices of oil and tempera painting that have either been lost or fallen into disuse. Albus makes a poignant observation that ever since the industrial revolution, it has been industry that dictates what materials are available to artists. Gesso production falls into this category ...
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    Preparation of Wood Panels for Painting 

    by
    George O'Hanlon
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    Published on September 19, 2011 09:25 AM
    1. Categories:
    2. Panels,
    3. Formulas,
    4. Tips and Hints
    Article Preview

    Part one on preparing wood panels for painting with the application of chalk grounds, and fifth in our technical series on painting icons, this article discusses the history and materials used in the preparation of wood panels for tempera painting — size, pavoloka and gesso — since the earliest period of Christian art until today. While the series specifically applies to making icon boards and preparing them for painting egg tempera icons, it has application to preparing wood panels for painting in any medium on chalk grounds.

    The installation of braces and the shaping of the kovcheg (recessed areas on icon boards) are the last stages in the production of an icon board, however, the board is not yet ready for painting. The paint layer is applied on to a ground consisting of powdered ...
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    Absorbent Grounds for Oil Painting 

    by
    George O'Hanlon
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    Published on September 6, 2011 11:33 PM
    1. Categories:
    2. Oil,
    3. Canvas,
    4. Panels

    In his Transactions (1806), S. Grandi describes a method of preparing an absorbent ground for panels, but for which he later wrote works equally well for stretched canvas. He described boiling sheep trotters* in water to remove the greasy parts, calcining ...
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    Influence of Grounds on Paint Preservation 

    by
    George O'Hanlon
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    Published on September 6, 2011 10:26 PM
    1. Categories:
    2. Oil,
    3. Canvas,
    4. Panels

    Oil paint darkens and becomes increasingly translucent as it ages. These changes may cause visible disfigurement of paintings and, although the phenomenon has been extensively studied, the causes are not definitely known at present.

    One way ...
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    Preparing Grounds for Metalpoint Drawing 

    by
    George O'Hanlon
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    1. Categories:
    2. Metalpoint,
    3. Silverpoint

    To prepare grounds for metalpoint drawing technique, you will need a rigid support. Select a heavy, smooth-surfaced paper, paperboard, parchment or wood panel, such as plywood or hardboard. Paper with a rough texture or smooth glossy surface are ...
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  • Recent Articles

    George O'Hanlon-1

    Traditional Oil Painting: The Revival of Historical Artists' Materials

    In recent years, we have witnessed the trend towards the use of traditional artists’ materials—painting materials used prior to the twentieth century. This is evident from the growth of small artists’ color companies and in the increased interest among artists about historical painting techniques and materials. Why this trend is occurring is subject to much speculation, but some may say it is due to the revival in figurative art, especially since the 1970s. I would prefer to say that interest in figurative art never really died out, but rather it has survived abstract art.

    If this is the case, that the trend towards traditional artists’ materials is related to the renewed interest in figurative art, than Bill Creevy, author and contributing writer to American Artist magazine, may have identified the motivation for this trend. He said, “The advantage to being a figurative artist is that you don’t have to really worry about being in or out of fashion.

    Categories: Oil  Historical Pigments 
    George O'Hanlon March 1, 2012 07:00 PM Go to last post
    George O'Hanlon-1

    Sizing Paper and Gelatin Sizing

    Unsized paper is called “waterleaf” paper. It is usually composed of cellulose fibers that are hydrophilic, meaning they ‘love water.’ This is an advantageous quality while paper is being made, but can lead to unfortunate consequences once the paper is made. The extreme porosity of

    Categories: Tutorials  Formulas  Tips and Hints 
    George O'Hanlon March 1, 2012 07:00 PM Go to last post
    George O'Hanlon-1

    Casein or Milk Paint

    Casein paint or milk paint is unlike any other natural water-based paint as it dries water-proof. However, it must cure for a certain time, usually about a week to a month. Despite this, it dries to the touch

    Categories: Casein  Formulas  Tips and Hints 
    George O'Hanlon February 29, 2012 07:00 PM Go to last post
    George O'Hanlon-1

    How to Make Oil Paint

    Paint basically consists of two components: pigment and vehicle. Pigment particles do not dissolve in the paint vehicle, but are suspended in the liquid. Making paint simply means mixing a solid and liquid component together into a smooth paste.

    Making paint is easier than you may think. With basic supplies, such as pigment, linseed oil, a spatula and a clean, flat surface, you can start making small batches of oil paint.

    If you want to make enough paint that you can store, however, you will need a muller to grind the paint. Why grind pigment into paint? Although a powdered pigment may appear very

    Categories: Oil  Tutorials  Formulas  Tips and Hints 
    George O'Hanlon February 28, 2012 07:00 PM Go to last post
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