• Reactive and Non-Reactive Pigments

    The reaction of natural and synthetic mineral pigments with binders containing lipids, such as egg yolk, drying oils, etc., has been reported by various authors.

    Generally, the formation of metallic soaps with the free fatty acids in the binders is assumed to be the reaction. These metallic soaps may act as driers, accelerating the oxidation and polymerization of the binder and providing a hard and resistant pigmented film.

    Usually, and without much verification, pigments such as lead white, umber and zinc oxide, etc., are said to accelerate the drying of binders. The synthesis and use of metal soaps, such as those from lead, cobalt, manganese, are common in the paint industry and are used as driers in artists' colors.

    A study was initiated a few years back that produced a definitive answer as to the formation of metal soaps by natural and synthetic mineral pigments. The researchers studied the formation of metallic soaps of pigmented paint films when mixed with linseed oil.

    Non-Reactive Pigments
    Lead sulfate
    Chrome yellow
    Chrome orange
    Red ocher
    Yellow ocher
    Sienna
    Umber
    Manganese brown
    Manganese blue
    Manganese black
    Cadmium yellow
    Zinc yellow
    Azurite
    Copper blue
    Malachite
    Cobalt blue

    These pigments did not form metallic soaps, so it is reasonable to deduce from this that these pigments do not react with linseed oil. Interestingly, some of the pigments appearing in the group above have long been designated as ones that are reactive, forming metallic soaps with linseed oil.

    Reactive Pigments
    Minium (red lead)
    Massicot (litharge)
    Cobalt black oxide
    Casell yellow
    Lead white
    Verdigris
    Naples yellow
    Cerulean blue
    Zinc white
    Cobalt blue-green
    Cobalt green
    Bismuth white

    These pigments are arranged in order of their reactivity (from the most to the least) in their formation of metallic soaps.
    This article was originally published in forum thread: Reactive and Non-Reactive Pigments started by George O'Hanlon View original post