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    by Published on September 12, 2011 09:52 PM
    1. Categories:
    2. Panels,
    3. Tutorials,
    4. Tips and Hints
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    Third in our technical series on painting icons, this article discusses the different types of braces found in Russian icons since the 12th century and their use in icons panels from the past to today. This series of articles has special application to the painting of icons, but has broad application to preparing wood panels for painting.

    The size and shapes of icon painting ...
    by Published on September 12, 2011 09:01 PM
    1. Categories:
    2. Panels
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    Fourth in our technical series on painting icons, this article discusses the kovcheg or ark — a recess in the surface of Russian icons — since the 10th century and their use in icons panels from the past to today.

    The making ...
    by Published on September 12, 2011 09:28 AM
    1. Categories:
    2. Formulas

    Here are recipes that we have tried and used:

    Iron-Gall Ink
    Gallnuts, 5 grams
    Ferrous Sulfate, 1 gram
    Gum Arabic, 1 gram
    Water, 200 grams

    Grind the gallnuts to a fine powder ...
    by Published on September 9, 2011 05:31 PM
    1. Categories:
    2. Oil
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    Gel painting mediums come in a variety of thicknesses and properties, but their basic purpose is to change the consistency or appearance of paint. Think of gel medium as transparent paint, so that when added to oil colors it diminishes the opacity of color, while helping to maintain its consistency.

    Rublev Colours

    ...
    by Published on September 8, 2011 03:04 PM
    1. Categories:
    2. Oil,
    3. Color Palettes,
    4. Historical Pigments

    Roger de Piles (October 7, 1635–April 5, 1709) was an art critic, theorist and collector whose important contribution to aesthetic theory rests on his Dialogue sur le coloris ("Dialogue on colours"), in which he initiated his famous defense of Rubens in an argument started in 1671 by Philippe de Champaigne on the relative merits of drawing and color in the work of Titian. In 1668, he published an annotated tranlsation of Charles-Alphonse Dufresnoy's De Arte Graphica that ...
    by Published on September 8, 2011 02:58 PM
    1. Categories:
    2. Historical Pigments
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    In his book, Les Elémens de Peinture pratique, Roger de Piles describes a typical palette of the 17th century:


    [INDENT]In oil painting are usually used eight principal colors: almost all others are derived and are composed of a mixture ...
    by Published on September 8, 2011 01:46 PM

    Terra-merita is a vegetable color, produced by the decoction of an Indian root (curcuma longa). This reference (Osborn 1849) describes the pigment produced from the plant known in culinary as turmeric. The yellow-orange extract is prepared from the root of the curcuma longa plant by drying and powdering, ...
    by Published on September 7, 2011 09:09 PM
    1. Categories:
    2. Oil

    The palette described by Roger de Piles in his 17th century painting manual, Les Elémens de Peinture pratique, describes a pigment in French, brun rouge. The basic palette described by de Piles comprises these colors: 1. White lead. 2. Yellow ocher. 3. Brown red. 4. Lake. 5. Stil de grain. 6. Green earth. 7. Umber. 8. Bone or ivory black. My interest is to provide hues that closely resemble ...

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