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		<title>Natural Pigments Forum</title>
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		<description>Rare and Historical Artists Colors and Materials</description>
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			<title>Rublev Orange Ocher</title>
			<link>http://www.naturalpigments.com/vb/showthread.php?3463-Rublev-Orange-Ocher&amp;goto=newpost</link>
			<pubDate>Sun, 12 May 2013 11:42:07 GMT</pubDate>
			<description><![CDATA["Rublev Colours Orange Ocher is an opaque orange yellow with good tinting strength, fine grained and brushes “long” in the direction of the brush...]]></description>
			<content:encoded><![CDATA[<div>&quot;Rublev Colours Orange Ocher is an opaque orange yellow with good tinting strength, fine grained and brushes “long” in the direction of the brush stroke. Our orange ocher is a single pigment color made of natural hydrated iron oxide and iron oxide mineral from the French quarries of Gargas and Rustrel nestled in a 12 mile long enclave in the heart of the Luberon Massif, the ocher country.&quot;<br />
<br />
If the pigment is half as good as the description I'm happy. Katherine Stone does excellent work. Personally I use opposite colors instead of black, cobalt blue in this case. It gives me the same mixed color without any deadening of the mixture.<br />
<a href="http://www.realcolorwheel.com/final.htm" target="_blank">http://www.realcolorwheel.com/final.htm</a></div>

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			<category domain="http://www.naturalpigments.com/vb/forumdisplay.php?40-Pigments">Pigments</category>
			<dc:creator>Donald Jusko</dc:creator>
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			<title>Toxicity in Pigments</title>
			<link>http://www.naturalpigments.com/vb/showthread.php?3462-Toxicity-in-Pigments&amp;goto=newpost</link>
			<pubDate>Thu, 09 May 2013 00:13:22 GMT</pubDate>
			<description><![CDATA[I'm trying to understand potential pigment toxicity in greater depth.  Its a complicated subject in that there are different ways a pigment can enter...]]></description>
			<content:encoded><![CDATA[<div>I'm trying to understand potential pigment toxicity in greater depth.  Its a complicated subject in that there are different ways a pigment can enter a body (absorption, inhalation, ingestion); harmful effects vary depending on whether a pigment is absorbed, inhaled, or ingested; and pigments have different degrees of toxicity.  <br />
<br />
These variables are complications enough, but additionally I find very different assessments of how toxic certain colors are.   For example I've seen raw umber described as very toxic, mildly toxic, and non-toxic (depending on how negatively the manganese is perceived).  Cadmiums are generally described as very toxic - yet Gamblin's cad red does not carry a warning label at all because, as Gamblin notes, modern cadmiums actually have a very low level of bio-available cadmium in them.  There are many confusing examples such as these.<br />
<br />
I understand that no color is harmful if handled properly.  Nonetheless, I'd like a better understanding of potential pigment toxicity.  Can anyone recommend books or websites that describe, comprehensively, the potential toxicity of artist's pigments - taking into consideration the several variables outlined above?  <br />
<br />
Thanks<br />
<br />
Koo</div>

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			<category domain="http://www.naturalpigments.com/vb/forumdisplay.php?40-Pigments">Pigments</category>
			<dc:creator>Koo Schadler</dc:creator>
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