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    Laura Spector

Laura Spector Palette


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As low as: $12.15

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As low as: $12.15

Quick Overview

Save 10% on the basic palette of colors and mediums used by Laura Spector and required for her workshops.

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Laura Spector's Palette and Mediums

Basic Color Palette:
Ultramarine Blue (Green Shade)
Cobalt Chromite Blue
Blue Ridge Yellow Ocher
Primrose Chrome Yellow
Orange Ocher
Pozzuoli Red
Alizarin Crimson
French Raw Umber
Cyprus Burnt Umber Warm
Lead White #2

Extended Palette Colors:
Nicosia Green Earth
Lead-Tin Yellow
Orange Molybdate
Roman Black

Required Mediums:
Refined Linseed Oil
Rublesol (Odorless Mineral Spirits)

Optional Mediums:
Epoxide Oil

Colors included in the Laura Spector Basic Palette
Color Swatch Item Code Series Color Name
Ultramarine Blue (Green Shade) 820-104 2 Rublev Colours Ultramarine Blue (Green Shade) is an intense deep blue with greenish-undertones when mixed with white from inorganic pigment of sodium aluminum silicate composition. It is a transparent, fine grained color with high tinting strength.
Cobalt Chromite Blue 820-122 1 Rublev Colours Cobalt Chromite Blueis an intense dark blue with greenish-undertones when mixed with white from inorganic pigment of cobalt chromite, called incorrectly “Cerulean blue” in other oil paint ranges. It is a semi-transparent, fine grained color with high tinting strength.
Blue Ridge Yellow Ocher 820-303 1 Rublev Colours Blue Ridge Yellow Ocher is a semi-transparent golden yellow, very fine grained and has a buttery consistency. Our yellow ocher is a single pigment color made of natural earths from ocher deposits in the Blue Ridge mountains of Virginia.
Chrome Yellow Primrose 820-310 4 Rublev Colours Chrome Yellow Primrose is lead chromate/lead sulfate, obtained synthetically as a yellow crystalline powder by precipitation from a solution of a lead salt. Chrome yellow primrose has good hiding power with bright yellow hue and average tinting strength.
Orange Ocher 820-401 1 Rublev Colours Orange Ocher is an opaque orange yellow with good tinting strength, fine grained and brushes "long" in the direction of the brush stroke.
Pozzuoli Red 820-502 2 Rublev Colours Pozzuoli Red is a semi-transparent deep orange red earth with warm undertones, medium grained with good tinting strength and brushes "long." Our red earth comes from quarries in Northern Italy.
Alizarin Crimson 820-512 4 Rublev Colours Alizarin Crimson is a translucent bluish red with high tinting strength, fine grained and a 'short' buttery paint.
French Raw Umber 820-610 1 Rublev Colours French Raw Umber is a semi-transparent, deep greenish brown with good tint strength, fine grained and, like most Rublev Colours Artist Oils, brushes "long" in the direction of the brush stroke.
Cyprus Burnt Umber Warm 820-617 2 Rublev Colours Cyprus Burnt Umber Warm is a semi-transparent reddish brown with good tinting strength, medium grained and, like most Rublev Colours Artist Oils, brushes "long" in the direction of the brush stroke.
Lead White #2 820-803 5 Rublev Colours Lead White #2 in filtered, pale walnut oil is an opaque white that is soft and slightly ropy. Lead White #2 is a brighter white than our first flake white (also known as Cremnitz white) because of the paler walnut oil.

Note: Colors swatches are shown in mass tone, straight from the tube, on the left, and mixed with an equal amount of white on the right. All pictures of color swatches in this web site are only approximations of the actual color of the oil paint. We taken every care to match the color in these pictures on calibrated color monitors to the actual color. However, because of the wide variance in color monitors the results you get may vary.

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